Future.Graphic.Design ... love, believe

EUROSPORT’S OLYMPICS CAMPAIGN …

Posted: Srpen 2nd, 2017 | Author: | Filed under: design, loga, motion design | Tags: , , , , , | Komentáře nejsou povolené u textu s názvem EUROSPORT’S OLYMPICS CAMPAIGN …

Branding agency DixonBaxi

Líbí se mě grafika … linky, akcenty, simple animation …

zdroj zde

creativereview.co.uk



adidas Originals / ORIGINAL is never finished

Posted: Červenec 23rd, 2017 | Author: | Filed under: motion design | Komentáře nejsou povolené u textu s názvem adidas Originals / ORIGINAL is never finished

Lions Entertainment/Entertainment Lions For Music Grand Prix: Original is Never Finished; Adidas Originals

This spot for Adidas Originals features a remix of Frank Sinatra’s iconic song My Way. Agency: Johannes Leonardo, New York

a zde máte full Frank S. My Way …   spot adidas je skvělej



Motion design / prologue.com / american-crime-story

Posted: Červenec 5th, 2017 | Author: | Filed under: motion design | No Comments »

zde máte odkaz, moc pěkná grafika, hudba … krása

 



Sagmeister’s Happy Film comes to UK / creativereview.co.uk

Posted: Květen 14th, 2017 | Author: | Filed under: arts, motion design | No Comments »

The Happy Film – Trailer (theatrical version) from {group theory} on Vimeo.



Eye On Design Aiga

Posted: Květen 4th, 2017 | Author: | Filed under: arts, corporate identity, design, loga, love, motion design | Tags: , , , | No Comments »

 

inspirujte se Eye



opět / Prologue / Queen Sugar

Posted: Duben 8th, 2017 | Author: | Filed under: motion design | Tags: , , , | No Comments »

inspirujte se zdroj zde



Herb Lubalin, Walter Landor, Paul-Rand.com, Saul Bass, Ivan Chermayeff & Tom Geismar

Posted: Březen 31st, 2017 | Author: | Filed under: arts, corporate identity, design, loga, motion design | Tags: , , , , | No Comments »

 

 

Inspirujte se

zdroj zde nfgraphics.com



After / Mouvo / best GMUNK

Posted: Únor 19th, 2017 | Author: | Filed under: love, motion design | No Comments »

inspirujte se www.gmunk.com

kreativní energie z přednášky na Mouvu je nepřenositelná ….



MOUVO

Posted: Únor 15th, 2017 | Author: | Filed under: love, motion design | Tags: , , , , | No Comments »

 

 

 

Už už už … ještě 2x se vyspíte a je tady Mouvo (tedy pokud nemáte nocovky a jedete 24h, známe to. že …)

Těším se, že některé z vás uvidím?



Saul Bass: A Life in Film & Design

Posted: Leden 23rd, 2017 | Author: | Filed under: arts, corporate identity, design, loga, motion design | Tags: , , , , , | No Comments »


The Title Design of Saul and Elaine Bass from Ian Albinson on Vimeo.

krásný přehled zde

zdroj zde / info nebo více i zde

his is the first book to be published on one of the greatest American designers of the 20th Century, who was as famous for his work in film as for his corporate identity and graphic work. With more than 1,400 illustrations, many of them never published before and written by the leading design historian Pat Kirkham, this is the definitive study that design and film enthusiasts have been eagerly anticipating. Saul Bass (1920-1996) created some of the most compelling images of American post-war visual culture. Having extended the remit of graphic design to include film titles, he went on to transform the genre. His best known works include a series of unforgettable posters and title sequences for films such as Alfred Hitchcock’s Vertigo and Otto Preminger’s The Man With The Golden Arm and Anatomy of a Murder. He also created some of the most famous logos and corporate identity campaigns of the century, including those for major companies such as AT&T, Quaker Oats, United Airlines and Minolta. His wife and collaborator, Elaine, joined the Bass office in the late 1950s. Together they created an impressive series of award-winning short films, including the Oscar-winning Why Man Creates, as well as an equally impressive series of film titles, ranging from Stanley Kubrick s Spartacus in the early 1960s to Martin Scorsese s Cape Fear and Casino in the 1990s. Designed by Jennifer Bass, Saul Bass’s daughter and written by distinguished design historian Pat Kirkham who knew Saul Bass personally, this book is full of images from the Bass archive, providing an in depth account of one of the leading graphic artists of the 20th century.