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Eye On Design Aiga

Posted: Květen 4th, 2017 | Author: | Filed under: arts, corporate identity, design, loga, love, motion design | Tags: , , , | No Comments »

 

inspirujte se Eye



Herb Lubalin, Walter Landor, Paul-Rand.com, Saul Bass, Ivan Chermayeff & Tom Geismar

Posted: Březen 31st, 2017 | Author: | Filed under: arts, corporate identity, design, loga, motion design | Tags: , , , , | No Comments »

 

 

Inspirujte se

zdroj zde nfgraphics.com



Identity / Canada

Posted: Březen 20th, 2017 | Author: | Filed under: corporate identity, loga | No Comments »

more info  zajímavé, že!



Design Canada / The first documentary chronicling the history of Canadian graphic design

Posted: Březen 15th, 2017 | Author: | Filed under: arts, corporate identity, design, loga | Tags: , , , , , | No Comments »

 

About this project

The story of graphic design in Canada has never been told. Until now.

Greg Durrell of Hulse&Durrell in Vancouver, Canada and Jessica Edwards and Gary Hustwitof Film First in Brooklyn, New York have teamed up to produce the first documentary about Canadian graphic design.

Where did the idea come from to make Canada’s symbol a maple leaf? Who were the creators of this visual language that brought Canadians together in a time of great change and growth?

more info  / info / filmfirstco.com / hustwit.com /



Anthony Burrill’s ‘Make It Now!’

Posted: Březen 13th, 2017 | Author: | Filed under: corporate identity, design, loga | No Comments »

1. Trust your first reaction at the start of a project

I approach each project in a similar way, whether it’s commissioned or self–initiated. My working method is straightforward: I think of all the logical steps and practical production methods that I know will work. I tend to mull things over and work out problems subconsciously. If you give an idea a few prods and prompts, eventually potential solutions float to the surface. That way you can let problems work themselves out – don’t try to overthink them. If you complicate things too much, then the first spark of an idea can become overworked and lose its spontaneity. Trust your first reaction – try hard to hang onto your initial creative impulse. In order to fly, an idea has to feel satisfying on lots of different levels – what fonts or colours to use, how to make it, working with collaborators. All these considerations have to feel complete and ‘right’.
Read more

4. If the project isn’t going well, communicate your feelings

Constant communication is the key to keeping things running smoothly – if you are unsure about something, ask. It’s better to know what people expect of you rather than make a guess. Be clear about what you are due to deliver and when, get it done and send it in time.
Read more 



Massimo Vignelli / NYC Subway, American Airlines …

Posted: Únor 8th, 2017 | Author: | Filed under: corporate identity, loga | 1 Comment »

zdroj foto inkbotdesign.com/massimo-vignelli/

více zde nebo zde

Vignelli is responsible for a great number of nationally recognized logos, such as American Airlines, IBM, Bloomingdales, and more.  His work both through his design agency and otherwise has been published and exhibited throughout the world and has influenced designers the world over.  He has been recognized with an impressive range of awards and honors over the years and continues to be heralded as one of the premier influencers of the typography that we know and love today.

He is also responsible for designing the Helvetica font more than 50 years ago, and changing the way we look at typography today.  In fact, “Helvetica” is now a feature-length documentary about typography, fonts, and graphic design.  It stars none other than… wait for it… Massimo Vignelli!!  Two feature-length television programs have also been devoted to Vignelli’s work. …

zdroj / info / text  zde 



Logo & vizuální styl / fáze I.

Posted: Únor 1st, 2017 | Author: | Filed under: corporate identity, design, loga | Tags: , , , | No Comments »

Skici a skici, první proces a inspirační zdroje což, je internet, knížky, ulice, příroda, lidi co potkávám atd.

Jak postupujete při navrhování loga = vizuálního stylu? Co uděláte jako první? Kde čerpáté nápady? 

Tak ještě stále zvažuji zda vám to sem dát–jeden projekt / logo&vizuální styl na kterém jsem pomalu začala pracovat, opět nevím zda to stihnu, protože souběžně pracuji na jiných projektech, ale zítra se rozhodnu. Prozatím zde je pár fotek – skic … jsem ve fazi hledání tvaru, který bude dostatečně schopný vytvořit fungujicí celek.



Pardubický kraj / nové logo?

Posted: Leden 30th, 2017 | Author: | Filed under: corporate identity, loga | No Comments »

Nelze to jakkoli pozitivně hodnotit, neprofesionální přístup plodí neprofesionální výsledek / Nerozumím, že architekt, který ví jak by měla správně probíhat soutěž nebo výběrové řízení, tak přistupuje na takový proces tvorby. Jako architekt může být velice šikovný, ale to co vzniklo v jeho roli grafického designéra je tragické.

Ani se me to sem nechce dávat to výsledné logo zde se na něj podívejte

Kdy nastane doba kdy architekti nebudou vytvářet „loga“ ? otázka otázek …? Že já nemám koule (nemám je, no) a nepřihlásím se do nějaké architektonické soutěže? Jednoduše ctím profesi architekta ( a v případě pardubického kraje – tak architekt navrhl „dům“ (myšleno logo), který se bortí, padá a nemůže stát a splňovat funkce, které má mít).



Saul Bass: A Life in Film & Design

Posted: Leden 23rd, 2017 | Author: | Filed under: arts, corporate identity, design, loga, motion design | Tags: , , , , , | No Comments »


The Title Design of Saul and Elaine Bass from Ian Albinson on Vimeo.

krásný přehled zde

zdroj zde / info nebo více i zde

his is the first book to be published on one of the greatest American designers of the 20th Century, who was as famous for his work in film as for his corporate identity and graphic work. With more than 1,400 illustrations, many of them never published before and written by the leading design historian Pat Kirkham, this is the definitive study that design and film enthusiasts have been eagerly anticipating. Saul Bass (1920-1996) created some of the most compelling images of American post-war visual culture. Having extended the remit of graphic design to include film titles, he went on to transform the genre. His best known works include a series of unforgettable posters and title sequences for films such as Alfred Hitchcock’s Vertigo and Otto Preminger’s The Man With The Golden Arm and Anatomy of a Murder. He also created some of the most famous logos and corporate identity campaigns of the century, including those for major companies such as AT&T, Quaker Oats, United Airlines and Minolta. His wife and collaborator, Elaine, joined the Bass office in the late 1950s. Together they created an impressive series of award-winning short films, including the Oscar-winning Why Man Creates, as well as an equally impressive series of film titles, ranging from Stanley Kubrick s Spartacus in the early 1960s to Martin Scorsese s Cape Fear and Casino in the 1990s. Designed by Jennifer Bass, Saul Bass’s daughter and written by distinguished design historian Pat Kirkham who knew Saul Bass personally, this book is full of images from the Bass archive, providing an in depth account of one of the leading graphic artists of the 20th century.



Logo Jeseni-ce /názor

Posted: Leden 17th, 2017 | Author: | Filed under: corporate identity, loga | No Comments »

Přemýšlím zda to vidím jen já a jsem tak kritická, ale nové logo města Jesenice je: ….  nečitelné, celá věc je postavena na zamotáné lince, která má obsahovat velké spektrum symbolů, obsahuje? První má být čitelné jméno města a poté mít symbol jako doplněk – jedna z variant řešení (je jich mnoho). Nemá to koncept a tím to se bude město prezentovat? Ale, možná, že už jsem stará a to, že logo a vizuál nemá koncept a je nečitelné, prvoplánové apod., že to je ten koncept! logo máte zde

ano, má kritika není konstruktivní –